Imagining Better Conversations

A few days ago Will Richardson shared on his blog a conversation that he'd had with his daughter. I found his post to be very discouraging and, unfortunately, indicative of what often masquerades as education in many classrooms. I thought about this conversation for a long time and then decided to try to re-write it based on my ideas of what young people in 2009 should be doing in English class. The part in blue is the original conversation from Will's blog. The remaining part is my idealized view of what should have happened:

Heard while driving home from Tess’s basketball game earlier.

“But Dad, I’m the only one in my class who doesn’t have a cell phone.”

“I know Sweetie, but that’s not a great reason for getting one.”

“But Dad, it’s like embarassing.”

“I’m sorry Tess, really. Mom and I will talk about it again, but for now…”

“Ugh.”

Silence for a few minutes.

“So, anything happen at school today?”

“No.”

“Nothing?”

“Ugh. We got a writing assignment.”

“A writing assignment? What kind?”

“We’re learning persuasive essays.”

“Persuasive essays? Well that’s kind of appropriate.”

“Like, what do you mean?”

“Well, don’t you have something you want to persuade me to do?”

She looks at me and smiles. “Cell phone!” Pause. “Ugh.”

“What?”

“I can’t do it on cell phones.”

“Why not?”

“Because our teacher said we should focus on things we’re really interested in.”

“Aren’t you interested in getting a cell phone?”

“No. Well, yes … but this is … different. I wanna write about sharks.”

“Makes sense. You know a lot about them. But how would you make your essay persuasive?”

“People are prejudiced against sharks. Everyone thinks sharks are bloodthirsty, violent creatures. It’s not true. Not all of them are ... and they can work together, too. I wanna write about that.”

“And your teacher said yes?”

“She did, and … get this, she said I could interview this expert on sharks from the University of …  uhm, I forget. But she is a researcher and an expert on sharks.”

“Is ... she coming to do a talk at school?”

“No, dad. I will be meeting with her online, and with some other researchers that work with her.”

“Online? Just you? What about other kids?”

“They have other topics, so they’re working with other people.”

“Online?”

“Yes, online.”

“So, you’re going to find out more about sharks from this researcher in … where is she again?”

“Somewhere in California, I think … yes, she has a blog and some of her research is also online. She posted movies from her previous research trips on YouTube … we’re chatting tomorrow during class.”

“That’s soon!”

“We have to meet this week. She’s leaving for a research expedition, for two months …”

“… so you won’t be able to get in touch with her after she leaves.”

“Well, she’ll be sending updates to her lab from her cell phone … I guess her assistant could email them to me.”

“… or you could get your own cell phone.”

“Exactly!”

Paulo Freire always claimed that we should use our imagination to reframe our reality - to see beyond that which we find oppressing. This re-working of Will's conversation is my attempt to imagine a better classroom and to emphasize that what teachers need today - and more today than at any time in the past - is imagination.

Virtual Kenyan Classroom

In August I traveled to Kenya with Teachers Without Borders - Canada. We delivered teacher professional development workshops to elementary and secondary teachers in a rural region, located about eighty kilometres outside of Nairobi. When I returned, I started looking for a creative outlet to reflect on my experiences. I wrote about my experiences on this blog, but merely writing about them didn't seem sufficient. So, I started sifting through almost 3000 photographs that I took while in Kenya and it occurred to me that they tell a story that is much more powerful than anything I could ever hope to convey in a blog post. The next day, I started building a virtual exhibit in Second Life.

But in the process of building this exhibit, I also realized that it could be so much more than just a virtual gallery - it could become a learning environment, a place that anyone interested in education in Kenya could visit and explore. So, the initial virtual gallery idea quickly morphed into "unfinished ..." - a project to build a virtual Kenyan classroom, a typical classroom in a typical rural school in Kenya.

Of course, some will say that I didn't have to use Second Life, that a blog entry, a Flickr set, or a PowerPoint presentation (or maybe all of them combined) would have been just as effective. That's why, before I began, I asked myself: What can I do in Second Life that I cannot do on the world wide web? Why do I need a multiuser virtual environment?

I wanted the visitors to be able to experience, even if only virtually, what it is like to stand in a typical rural Kenyan classroom. I can’t do that on my blog, but in Second Life I can create that classroom. I can try to re-create that environment. Of course, as a visitor to my classroom exhibit in Second Life, you won’t feel the fine Kenyan dust on the floor - the kind of dust that penetrates into everything in Kenya. You won’t be able to interact with Kenyan students or look through their notebooks. I cannot create tactile experiences in Second Life. What I can do, however, is create a visual experience that is very close to what I saw in Kenya. I can create a replica of a typical classroom and then use it as the setting for tours, presentations, or conversations about education in Kenya. I can create a virtual environment that provides a meaningful context for discussions about education in developing nations.

That environment wouldn't be complete without photographs of children and school life that I took while in Kenya. You will find them scattered around the exhibit. You will see photographs of children and classrooms leaning against a virtual fence or the classroom wall.

Again, an argument could be made that all those pictures could have been shared on Flickr. True. I did share them on flickr, but as soon as I uploaded them I realized that they didn't fully represent my experiences, that individual photographs, when placed against the white backdrop of a flickr photo page, lose their richness and become just another snapshot. In Second Life, however, I can create an environment for them, a context that will help the visitor see them as part of a larger story.

When building this virtual space, I tried to make the environment as reminiscent of the actual schools in Kenya as possible. Many of the textures I used for walls or corrugated iron panels were extracted from my own photographs of Kenyan schools and imported into Second Life. Before I built the desks for the virtual classroom, I scrutinized the pictures I took of student desks in Kenyan classrooms. Before building the classroom itself, I carefully analyzed my pictures of rural schools in Kenya.

Why "unfinished ..."?

I chose this title because when I first walked into a classroom in rural Kenya, everything around me seemed ... unfinished - the bare walls and gaping holes instead of windows all contributed to that impression. It seemed that the classrooms were still under construction. Of course, the sad truth is that the classrooms I visited were all finished - there simply isn’t enough money at many of the schools in Kenya to put in windows or buy new desks. There simply isn’t enough money to put plaster on the walls, buy bulletin boards, or put up posters.

Not every classroom in Kenya looks like the one I created in Second Life. Some schools are better equipped than others. Some classrooms have windows and plaster on walls instead of bare bricks. Some have new desks. Many have electricity. The classroom I built in Second Life, however, is not atypical of rural classrooms in Kenya. It represents rural schools and the country itself quite well. In Kenya, many things, including roads, schools, buildings, and public services, seem ... unfinished.

The work that Teachers Without Borders - Canada has begun in Kenya is also unfinished. We had initiated great projects, worked with many teachers, and established valuable contacts with ministry officials and other NGOs. We look at these accomplishments as work in progress and an opportunity to continue to move towards our goals. One of those goals - and my goal for this virtual exhibit - is to raise awareness of some of the challenges faced by teachers, students, and administrators in developing nations.

I hope that you will take the time to walk through the exhibit and experience school life in a rural Kenyan classroom. The following link will take you into Second Life, to the island of jokaydia where the project is hosted: (SLurl to the Virtual Kenya Exhibit).

Virtual Kenya Project Machinima (Link to the original file on blip.tv)

Interested in a Tour?

If you like what you see and would like to bring your students or colleagues into this space, or learn more about education in Kenya or the work of Teachers Without Borders - Canada, please feel free to contact me. I've given a number of tours already and would be happy to chat about the space or help you build a lesson around this virtual exhibit.

Learning to Avoid "School Talk" (Part 1)

Nothing has brought pedagogical theory into greater disrepute than the belief that it is identified with handing out to teachers recipes and models to be followed in teaching .

- John Dewey, Democracy and Education

I've written about this before, but the concept of engaging students in conversations and engaging, as an educator, in conversational assessment, is something that I continue to investigate.

Of course, it is not easy to have meaningful and authentic conversations with students about a literary text that they're reading. First of all, they know very well that I'm an expert - even if I don't see myself as one. Therefore, they are absolutely convinced that they cannot contribute anything to the discussion that I don't already know. No matter how much I try to show them that there are still many aspects of a given topic that I am not very familiar with, students persist in their belief that teachers are experts.

So, I often try to start conversations and create activities that are just as challenging for me as they are for them. This calls for quite a bit of creativity and forces me to abandon tried and tested lesson plans.

Last month, I decided to help my students engage with Anne Frank's The Diary of a Young Girl as more than just a literary text. I wanted them to look at it as an experience, as life written down by someone their own age. They find it difficult not to treat the diary as just another "big book" that they study at school. I wanted them to think about Anne as a person and her diary as a personal record. I wanted them to have an opportunity to engage with the text and think about what Anne's words and experiences meant to them. I wanted to create an avenue for a personal connection - not an easy task in a classroom setting where every text we study is likely to be perceived as a literary text first and a personal experience second. At the same time, I also wanted to engage myself as a participant. I wanted to model the kind of personal engagement I wanted my students to experience.

It occurred to me that one way of doing this would be to create a soundtrack for the diary. So, I spent some time browsing through the SeeqPod and SkreemR archives on the mixwit page . The next day, I walked into our classroom and explained to my students how I got the idea:

I always listen to music when I read. Last night I was listening to Mozart and re-reading parts of the diary for our discussion today. Suddenly, I realized that the piece I was listening to suited the passage I was reading perfectly. It felt almost like the best soundtrack for that specific passage. So, I decided to make a list of songs and classical pieces that, in my opinion, would work well as a soundtrack for Anne's diary.

And then I showed them the soundtrack I had made and we listened to a couple of tracks. I saved my soundtrack using mixwit's highly visual interface and then embedded it in my blog in the grade eight blogosphere:

(Click here if the above widget does not work)

Then, I continued:

I want you to know that this took a long time and I found it very difficult to choose the songs. I kept searching the mixwit database for all kinds of songs that I thought would be perfect, but then I realized that the lyrics didn't really work or that the song was actually very different from how I remembered it. In other words, I had to spend quite a bit of time not just coming up with possible song titles for this but also justifying my choices.

So, I would like you to do the same. Create a mixwit account and then search the database for tracks that, in your opinion, would be perfect for a soundtrack for The Diary of a Young Girl . There's one catch, though: You have to be able to justify your decisions.

And then the conversations started. The one thing that made a huge impact was that I had challenged them to create something that I myself had already done. They could interact with my playlist and learn from the process I had engaged in prior to starting their own. They could critique my work and analyze it before embarking on their own journey of creating a soundtrack. In other words, I had entered the classroom and started the conversation as a participant. Creating my own mixwit tape placed me in the position of a learner. I eagerly shared with them my experiences of using mixwit and choosing the appropriate songs.

The point here is that what they were encouraged to do was not based on an abstract assignment description. I had entered the classroom with evidence of my own meaningful personal engagement with the diary, not just a typed handout explaining what they had to do.

This exercise led to a number of meaningful conversations with my students about Anne Frank, her writing, and our interpretations of her personality and her work. The fact that they all needed to justify their musical choices ensured that the conversations we had focused not just on the music but also, perhaps primarily, on the text. I had many one-on-one conversations with my students in which they talked about specific aspects of Anne's personality and shared their knowledge of popular music with me. They read and listened to the lyrics carefully because they realized that the choices had to be justified and couldn't be in any way offensive to the sanctity of the text written by a girl their age who perished in the Holocaust. This wasn't just about listening to music, it was about making connections, and they all realized that, in order to make them, they had to become very familiar with both the songs and the text - I had encouraged them to become experts.

I was also pleased that this activity gave all of us an opportunity to engage with the diary in a new and unique way. The students still studied the text, they still had to think about Anne as a person and a writer, but they had to do it in a context that rarely enters our classrooms, one that certainly is never present when we discuss literary texts.

I learned that entering the community as a participant allowed me to have conversations with my students that they did not perceive as instructional. Yes, they were talking to Mr.Glogowski about their songs and their reasons for picking them, but it did not feel like school talk.

Here are some examples of what they created:

... and, of course, the best thing about this was that there was no rubric or evaluation sheet. Why? Because when you listen to student soundtracks for The Diary of a Young Girl and the music works, the music fits, you just know the students did a great job ... and they do too - not because they received a rubric with a high mark, but because their work emerged from meaningful conversations with each other and the teacher.